TV, Film & Streaming

Lanterns arrives with a grounded mystery pitch, testing whether superhero TV can win by getting moodier, slower and more detective-driven.

Coyote vs. Acme’s road to release turns a shelved movie into a bigger Hollywood story about finished films, fan pressure and corporate control.

Spider-Man: Brand New Day and The Odyssey turned the weekend box office into a rare two-title event with blockbuster energy to spare.

Netflix’s August 2026 lineup leans on returning favorites, adaptations and event-style programming to keep the summer couch fully booked.

TIFF’s 2026 gala and special presentation lineup turns July into the unofficial starting line for fall movie conversation.

American Horror Story’s season 13 Comic-Con push shows how TV franchises now sell atmosphere before episodes even arrive.

All American begins its eighth and final season, turning the long-running CW sports drama into a legacy handoff and final goodbye for fans now.

Apple TV’s reported Hall H debut at Comic-Con shows how streamers are chasing fan-room energy that algorithms cannot create on their own this July.

Gilmore Girls moving to Prime Video is a comfort-TV reminder that streaming libraries still shape habits, rituals and rewatch culture.

The Price of Milk uses a familiar ad-world phrase as a doorway into pop-culture nonfiction and the business behind everyday icons.